The things LGBTQ people need from our public spaces has changed. But is it even possible for new models to emerge in London in 2016?
The things LGBTQ people need from our public spaces has changed. But is it even possible for new models to emerge in London in 2016?
The alt-cabaret superstars’ long-awaited return is a joy – and not just because Kiki’s legs wound up wrapped around my face.
Control vies fruitfully with vulnerability in Split Britches’ latest show, based on Peggy Shaw’s experiences of a stroke.
East London’s ringmaster can’t afford to live there any more. But the show will go on – starting with Woo’s verbatim-theatre history of the Shoreditch scene.
An interview with the formidable queer storyteller about his latest project, a music-hall take on real-life story of Victorian cross-dressing.
Nearly a year after the Black Cap’s unceremonious closure, its doors remain shut – from one perspective a slap in the face, from another a kind of victory.
The London queer-performance photographer talks about her long-exposure portraits, which show artists in and out of drag in the same shot.
J.M. Tyree and I review the Coens’ new film for Sight & Sound, suggesting it is not only a love letter to the movies but also a work that is unusually interested in technical virtuosity, and in systems of belief.
A win/win approach to the shuttered icon: reopen it as an LGBT+ venue whose profits support its leaseholder’s wider plans
10 titles of interest at this year’s London LGBT Film Festival, from sauna zombies to queer burlesquers