Misericordia review for Sight & Sound

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  As lead review for Sight and Sound’s April 2025 issue, I wrote about Alain Giraudie’s unsettling thriller Misericordia, something of a companion piece to his 2013 feature, Stranger by the Lake. The review can be read online here is reproduced with permission. “We need murders,” muses Abbé Grisolles (Jacques Develay, pictured right) toward the […]

I Saw the TV Glow review for Sight and Sound

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Reality and fantasy blur for two isolated suburban teens who bond over a mysterious, Buffy-esque 1990s TV show in trans director Jane Schoenbrun’s fantastically inventive second feature.

BFI Flare 2024 preview for Sight & Sound

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BFI Flare 2024 includes two powerful features about trans experiences of family life, Close To You and Crossing.

All of Us Strangers review for Sight & Sound

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Andrew Haigh’s deeply affecting, time-slipping feature centres on a middle-aged gay writer grappling with the profound consequences of grief and structural homophobia.

Passages review for Sight & Sound

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Ira Sachs’s drama, starring Franz Rogowski, Ben Whishaw and Adèle Exarchopolous, explores three characters’ jostling wants and needs

Lie With Me review for Sight & Sound

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Olivier Peyon’s film explores the consequences of a teenage romance 35 years later.

Pretty Red Dress review for Sight & Sound

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Dionne Edwards’s debut feature deftly balances a family’s competing desires, vulnerabilities and insensitivities

Beau is Afraid review for Sight & Sound

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Ari Aster’s overblown pseudo-surreal picaresque odyssey is less a story about human beings in human situations than a trippy gamut of threats and feelings. It’s a lot.

BFI Flare 2023 preview for Sight & Sound

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London’s celebration of queer cinema includes a tribute to the pioneering British director of 1978’s Nighthawks.

Magic Mike’s Last Dance review for Sight & Sound

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The third film about the male entertainer played by Channing Tatum feels like an uncoordinated misstep.