The Dropout review for Sight & Sound

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A series about med-tech fraudster Elizabeth Holmes probes the magical thinking of transformative visions, confidence tricks and the American dream.

BFI Flare 2022 preview for Sight & Sound

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London’s celebration of queer cinema returns to in-person screenings while keeping some of its online offering.

Great Freedom review for Sight & Sound

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Sebastiane Meise’s film about gay incarceration in postwar Germany finds the value of holding and being held tight when it counts.

Minyan review for Sight & Sound

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A portrait of Jewish and queer intergenerationality proposes collective agency as a version of hope.

Ellie and Abbie (and Abbie’s Dead Aunt) review for Sight & Sound

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Monica Zanetti’s lesbian romance makes homophobia a historical issue, summoning a ghost of the queer past for high school advice.

Martyr review for Sight & Sound

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A waterfront in Beirut is a place for escape and langurous pleasure in Mazen Khaled’s sensual exploration of male corporeality, both in life and in death

Derek Jarman exhibition preview for Sight & Sound

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Two retrospective shows in Manchester and Southampton reveal the urgent timeliness of Jarman’s politics, art and life to Britain today.

December 2020 update

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 Hello. I hope you and your loved ones are keeping safe and well in the continuing weirdness. Here’s a round-up of a few things I’ve been up to that might be of interest.   Something for the weekend: This Is Not a Dream streaming online Back in 2011, Gavin Butt and I made a feature […]

Unorthodox review for Sight & Sound

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The Netflix series about a young Hassidic woman who breaks with her community asks who and what human lives are for.

Tiger King vs Crip Camp: worlds apart

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Two Netflix documentaries offer contrasting visions of worlds beyond the mainstream, set up by outsiders on their own terms. What can they teach us about life after the pandemic?