Camden Council plans to approve a scheme to turn the upper floors of the iconic Black Cap into flats. But will noise levels be too high for new occupants?
Camden Council plans to approve a scheme to turn the upper floors of the iconic Black Cap into flats. But will noise levels be too high for new occupants?
A round-up of 10 favourite blog posts from Not Television’s first year, 2014, on subjects including Mat Fraser, Alternative Miss World, Leake St graffiti tunnel and the threat of luxury redevelopment
Lately, it seems that barely a week goes by without news of one of London’s seminal underground, alternative or queer venues being closed or threatened with closure…
James Lindsay has confirmed that Austrian property development company Immovate “has invested in the RVT”. But Immovate, which specialises in residential and commercial renovations of historic properties, refuses to discuss its plans for one of London’s oldest and most iconic LGBTQ venues. Lindsay bought the Royal Vauxhall Tavern in 2005 in partnership with Paul Oxley. In September, Lindsay […]
The new owners of iconic queer performance venue the Royal Vauxhall Tavern include an Austrian property development company that specialises in luxury flat developments in areas of historic interest, according to a post on a Facebook page maintained by fans of the venue. The post, which was published last night (October 29 2014) to the Future […]
Just a quick update on a couple of pieces that ran this week. QX Magazine picked up my post from last weekend about the future of the Royal Vauxhall Tavern and ran it as a spread in their latest edition. Happily, we were able to update it to include the news, which broke a couple of […]
The next five years will be crucial to the long-term fate of the Royal Vauxhall Tavern, the iconic south London pub and LGBTQ cabaret venue that is being sold to unidentified new owners. “I’ve got five years to get RVT turned around and made into a viable business, but for that to happen we […]
New York’s Electronic Arts Intermix (EAI) has been archiving, preserving and exhibiting a huge range of video and multimedia work since 1971. It’s basically like Aladdin’s cave with a remote control. Personally, I’m partial to a bit of Ryan Trecartin, whose domestic sagas have bits of Jack Smith’s will-to-glamour and John Waters’s fucked-up-family vibes […]