Glass Onion: A Knives Out Mystery review for Sight & Sound

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Reference and recapitulation are at the heart of Rian Johnson’s new film, a follow-up to Knives Out (2019), his popular reinvention of the country-house whodunit.

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After Blue (Dirty Paradise) review for Sight & Sound

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A thoroughly postmodern picaresque of a heroine’s journey set on a fictional planet.

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Lynch/Oz review for Sight & Sound

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An essay film on the links between The Wizard of Oz (1937), the works of David Lynch and the heartening, terrifying dreamlike weirdness of Americana.

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All is Vanity review for Sight & Sound

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An ambitious debut feature that ricochets from chamber piece to industry satire to paranormal puzzle box.

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Nope review for Sight & Sound

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Jordan Peele is unique in delivering original, timely and intriguing satirical blockbusters that get under the skin. His UFO-based third feature is an unsettling, uneven inquiry into the American urge to see and be seen.

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Maisie review for Sight & Sound

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Lee Cooper’s documentary about the UK’s oldest performing drag artiste includes compelling fly-on-the-wall material and potent performance footage.

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Terence Davies interview for Sight & Sound

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In a funny, surprising and deeply moving encounter, the filmmaker talks about love, hate, his new film Benediction and his favourite TV shows.

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Everything Everywhere All At Once review for Sight & Sound

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Michelle Yeoh channels multidimensional skills to grapple with her family’s exploding identities in this hyper-inventive, goofily radical pop fantasia.

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The Unbearable Weight of Massive Talent review for Sight & Sound

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Nicolas Cage stars as a fictionalised version of himself in a tongue-in-cheek caper that breaks on the rocks of self awareness.

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The Dropout review for Sight & Sound

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A series about med-tech fraudster Elizabeth Holmes probes the magical thinking of transformative visions, confidence tricks and the American dream.

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